Its color palette isn't in tune with your typical Christmas movies. A Zed & Two Noughts is the least Christmas-y of all his films. Lets also not forget that Sergei Eisenstein's time in Mexico - the subject of Greenaway's most recent film – stretched over Christmas as well (and although it isn't mentioned, Brian Dennehy's "Stourley Kracklite" would have spent his Christmas in Rome given the time frame of The Belly Of An Architect).īut What sets Peter Greenaway apart from other Christmas-themed directors is that Greenaway's vision of the holiday season is depressing & dreary. Besides A Zed & Two Noughts, both Darwin & Tulse Luper Suitcases have (quick) Christmas sequences. Greenaway isn't exactly a novice when it comes to setting films on or around Christmas. I wouldn't consider Peter Greenaway and someone like Shane Black to be equals, but Mr. I know I'm guilty of contributing pieces on fairly standard stuff like Carol & Eyes Wide Shut, but I'm also responsible for the words on slightly non-traditional stuff like Rambo: First Blood and the piece you're about to read right now. How are those movies "alternative"? They're certainly good movies (some excellent) but I think we can delve a little deeper in to the corners & crevices of Christmas on the big screen.īasically what I'm trying to say is that I think The Pink Smoke is the most unique platform when it comes holiday-themed movies and John & Chris should be given the keys to the finest repertory theater so that they can program a series on true "alternative Christmas film". For example - when you do a simple google search of "alternative Christmas movies", films like Kiss Kiss Bang Bang, Brazil, Die Hard & Lethal Weapon are the first to pop up. Even the so-called "alternative Christmas lists" that we often see aren't as "alternative" as one might think. Over the course of these last few months I've gone back and revisited a lot of the writings in this series and I honestly think there needs to be a shift in the Christmas movies that are celebrated, explored & brought up every year on the same ol' redundant Christmas lists. ![]() ![]() Mary's or Scrooged, consider some titles from The Pink Smoke's alternative list of movies that touch on the most wonderful time of the year (to varying degrees.) Pinnland Empire's Executive in Charge of Shameless Defenses of Terrence Malick, Marcus Pinn, joins us to discuss a filmmaker with Christmas unexpectedly coursing through his films. Holiday-themed movies have become as intrinsic a part of the season as getting drunk on eggnog and passing out under the mistletoe while relatives sneak awkwardly out the door.īut does a film necessarily have to include persecuted Santas and suicide-preventing angels to be a true "Christmas classic?" Before you slip in your well-worn copy of The Bells of St.
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